the most modern and funniest Emma. She is the most flawed (such double standards for Frank Churchill and Jane Fairfax, despite of all three motherless since young) but lovable as always, for she grows and flourishes as always
‘the ending is sad, isn't it?’ ‘Yes it is sad but not sentimental.’ To make art is not to force a feeling upon things but to find the connection between things within life which we call it story - where lies the truth quietly powerful; Civilisation could be as bright as a little boy.